For the most part, I've grown tired of apocalyptic horror. Although favorites such as 28 Days Later and the early episodes from The Walking Dead proved enjoyable, this category seems largely exhausted at this point. Yet the highly anticipated 28 Years Later remains gathering dust in my watchlist for months. However, Netflix's latest Indonesian horror film, The Elixir, managed to defy what I anticipated and proved quite entertaining.
Impressive Rhythm and Character Growth
Among this movie's strongest assets is its excellent rhythm. It kicks off using a striking initial scene in which a calm family gathering is violently disrupted by a vehicle plows right into the seating section. From the wreckage, an extremely undead-looking individual stumbles out and begins assaulting the partygoers. This dramatic moment is then succeeded by a flashback, giving viewers to see this household prior to the tragedy occurred.
In contrast to numerous undead movies, The Elixir actually gives viewers sufficient opportunity to become acquainted with the primary characters before the carnage begins. We meet Nes, a wife and mother whose ex close friend, Karina, has become wed to her dad—an obviously awkward dynamic. This has predictably caused a falling out between the two women. Then there's Nes' brother, Bang, described as good-natured but a bit inept socially, and who loves gaming alongside his nephew, Raihan. Her spouse, Rudi, seems to have recently been unfaithful to Nes. The family patriarch is her dad, who runs a well-known herbal remedy company named Wani Waras, and who seems focused on only two things: his work and his marriage to his daughter's ex-best friend. Needless to say, this family reunion is incredibly tense.
Invested in the Conflict
I became so engrossed with this family's dynamics along with their interpersonal drama to the point I almost forgot this was a horror film—something that could seem like a negative, yet ultimately paid off. The Elixir spends a considerable amount of the film to showing viewers who each family member is, and how they contribute to the general dysfunction. This focus on conflicting personalities enabled the audience to relate with the characters enough to be concerned for their outcome—a rare accomplishment for this style which frequently presents characters just to kill them off shortly afterwards. The Elixir avoids portraying its cast as flat, expendable casualties for a horde of zombies to devour, so it's a genuine shock when things finally deteriorate.
Reminiscent of Parasite
The opening sequences from the gathering and the multiple household exchanges in fact bring to mind the film Parasite, a tale which disguises itself as a K-Drama featuring slightly dark humor prior to taking an abrupt turn toward shocking territory. These introductory scenes aren't centered as much on comedy compared to Parasite, but The Elixir nonetheless provides sufficient time to immerse in the setting before everything gets turned upside down.
Original Infection Origin
This movie additionally presents a quite interesting reason for the source of the spreading transformation. Rather than an accidental laboratory incident or a type of bioweapon, the source for this infectious condition originates in a new sample from Wani Waras natural medicines developed by Nes' father. While some background is provided something regarding how it started, it would have been better if the movie had spent additional time on how Wani Waras transitioned from a reputable supplier of natural treatments to creating a lethal elixir that appears to contain an extremely infectious virus. Despite the limited context, the effect this affliction produces on people is absolutely repulsive, and I appreciate. The Elixir's zombies are fast, bizarre in appearance, and, maybe most disturbingly, constantly grinning. This represents a daring decision, yet it succeeds. The Elixir's practical effects and computer graphics are also quite convincing, and they're practically certain to trigger a fear of holes.
Resourceful Characters
Even better than the disgusting scenes is the cast themselves. Certainly, there are a few instances of questionable decision-making (like any any good zombie movie), but generally, Nes and her relatives show themselves resourceful and quick-thinking. They also aren't afraid to kick a zombie in the head, pierce it with a pitchfork, or beat it on the skull with the nearest blunt instrument is available rather than freezing like a deer in headlights as death approaches.
Believable Familial Discord
The Elixir doesn't abandon its themes of familial discord when people begin transforming into zombies, this proved a pleasantly authentic subversion from the "We don't get along|"We have issues, but since you nearly died I immediately forgive you for everything! trope frequently used in apocalyptic films. Obviously, Nes loves her relatives and cares about her spouse, Rudi, but it's also clear she's still clinging to bitterness over his betrayal of their marriage vows. Once the household becomes split up, they agree via telephone to meet up at a nearby spot. But when Bang reveals he is unaware how to get there, Nes unleashes a massive amount of frustration toward Bang which has obviously been building over time. Nes isn't flawless, and her relatives—flawed as it is—seem authentic and relatable because the film avoids attempting to push the notion that nearly dying immediately resolves familial strife. This causes the moments where these individuals do show appreciation for each other feel far more sincere.
Predictable Ending
Despite The Elixir's strong efforts to break new ground, the ending must be said to be somewhat stereotypical. The Elixir doesn't truly presenting any deep insight regarding relatives or community, as well. Instead, it's mostly delivering frights. But they're effective frights, and because the film gives each character enough room to grow and avoids penalizing them for their imperfections, the outcome proves a captivating and enjoyable
